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Changing Reality – Life Drawing

charles-jeong-realistic-2We had an interesting discussion this past week about realistic (or hyper-realistic) painting vs. realistic
painting with fantastic elements. A fellow student shared some of the hyper-realistic paintings of Charles Jeong from South Korea. I shared  Allen Williams’ If Beauty Were a Book, done in graphite.Screen Shot 2016-08-23 at 2.26.07 PM

I realized while I like representational art, I prefer works that convey emotion or story more than complete accuracy.

In our final assignment of the class (costume figure), I decided to change it up a bit and use color and value changes, and even changes in the model to alter the mood.

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It great to get back painting again. I combined a gouache underpainting with transparent watercolor and then Faber Castell Polychromos pencils and little touches of Sennelier pastels for highlights. It was nice to see that all of the media seemed to work together.

Had a great time with the critique group through SCBWI last weekend. Now I have a week off before starting Concept Illustration.

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More Pastels – Carbothello Stabilo Pencils

floating-girl-ear-final It’s been another busy week, but learning a lot more what CarbOthello pencils can do. I really like the medium although I have a lot to learn about making color blends.  This past week had our usual gesture drawings, 2 hand drawings in pastel, and then a costumed figure drawing. Sanded paper like UArt or Wallis can receive more layers than Canson Mi-Teintes or other pastel papers, but they will eat up your pencils quicker.

I found I like the soft rich blacks of  Nitram charcoal. It also doesn’t have as much dust as General’s.

I’ll also post the three examples of pastel paintings that I posted in this week’s discussion. Pastel offers such a wide variety of expression. I really like the medium.

The first is a rendering of Ophelia from Cuong Nguyen who worked as a successful web designer for many years until he got working more as a streetpastel-1chalk artist, then became a full-time fine art painter. I learned from him that skin tones can be mixed with a green underpainting (verdaccio) and flesh tones.

pastel-2The second is an illustration from Paul Howard from a Jill Tomlinson book called The Owl who was afraid of the dark. I like the soft luminous quality Howard was able to get from his use of pastels.

pastel-3Finally, there’s The Guardian by Fiona Tang. It combines chalk pastel with charcoal and acrylic on a paper backing. The different textures of the various media used for this piece this piece contribute to the overall effect in different ways; the chalk pastel in particular is important to the trompe l’oeil effect, helping to differentiate the “three-dimensional” stag in the front from the more “two-dimensional” background charcoal elements, with the white tone of the pastel “light” against the natural brown color of the paper.

This coming week is my final one for Life Drawing IV. We’ve got a watercolor assignment, the first I’ve had since I’ve been in art school. Also this weekend, I’ll be going to the Great Critique-nic through the Western Washington Society of Children’s Books Writers and Illustrators. It’ll be the first one that I’ve ever gone to. People bring their illustrations or writing and split up into small groups where they critique and be critiqued.

 

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Drawing Hands – Life Drawing IV

krister-hands-2  This past week my class has been looking at the drawing of expressive hands. We’re still working for the most part in charcoal which is getting easier to handle for me. I like Strathmore Toned Paper and I’m finding it easier to get darker tones with a softer Nitram charcoal. I had started with Strathmore 500 charcoal, but it doesn’t have the smooth look of toned paper.

Besides drawing practice (whole body gestures) and these hand drawings, we also have a discussion post where we post examples of expressive hands.  Everyone always shares very different examples – it’s a great part of the class.

The three I shaerd this past week were from Rackham, Wyeth, and Earl Oliver Hurst. In the Rackham, I thought it was an interesting contrast between the knobby hands of the old woman and the simple open hands of the children. The Wyeth also showcases contrasts in this Heidi picture. The grandfather is tanned and has a commanding gesture. It’s contrasted with Heidi’s fairer and more tentative post. The Hurst I liked because he seemed to contrast the confident face of the man with the nervous lines in  his jacket and hands.

 

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By the Light of the Moon – Pastel Painting

I had a great time in a 1-day pastel workshop at the Cole Art Studio. I used Nupastels on LaCarte paper for this painting of a dik dik, a small antelope that lives in Africa.  I worked on this in the afternoon.

HornbillIn the morning, I painted an African hornbill.

Pastels seem almost effortless. I’m looking forward to doing more.

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Life Drawing – Simplifying Using Geometry

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Interesting work in Life Drawing class the past week. We’re learning how to simplify figures by blocking in simple geometric shapes. It helps  generalize what you’re seeing and I think will make it easier working from life.

At the Terryl Whitlach conference, she had recommended Future Publications’ How to Paint and Draw Anatomy which showed how to break the human figure into simpler shapes. I found the book (actually both volumes) online at Scribd.

Today, my teacher also shared a video that will make really help what I want to be able to do. The figures are very fluid, but also have volume.

 

 

 

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Moorehead and Doubleday – Rabbits and More

Meet Moorehead (left) and Doubleday (right). They’re a work in progress. I haven’t completely decided their back story yet. The sketch was colored in with CarbOthello pastel pencils (I like them) on Canson Mi Teintes paper. I just got a pack of La Carte and also Sennelier soft pastels and will be experimenting with those too.

I’m going to take a one day pastels workshop with Janis Graves this weekend through Cole Gallery and looking forward to it. I’ll paste a sample of her art below.

Janis-Graves-birdsThe Guild of Natural Science Illustrators also posted the group mural that I worked on at the Santa Cruz Conference.

There were 3. Here’s the one I drew a little egret (corner right) catching a fish. It’s on exhibit at the Sanctuary Exploration Center that’s part of the Monterey Bay National Marine Sanctuary. It was a great conference.

 

 

 

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Guild of Natural Science Illustrators in Santa Cruz

Here’s some photos from the Guild of Natural Science Illustrators Annual Conference in Santa Cruz. It was great! It’s the first art conference I’d ever been to. Some highlights:

portfolio sharing of illustrators on the opening night, then opening keynote by Jack Laws who shared his approach to nature observation and inquiry while outdoors with his sketch book. Jane Kim told us about her gutsy Kickstarter to create art California Highway 395 (Migrating Murals) to call attention the plight of big horn sheep in the areas in which their migration was endangered, Breck Tyler who shared some wonderful discoveries about albatrosses in the Midway Atoll, techniques presentations where artists shared their Reid Psaltis, Jennifer Bates, and Linda Feltner shared technical details of their art, a communal mural of animals in the Monteray Bay area, and finally talks by Terryl Whitlatch (Star Wars, Brother Bear, many more) and even John Fleskes of Spectrum Fantastic Art who shared how he started spectrum many years go. Terryl’s talk was interesting because described how she used her understanding of animal anatomy to make imaginary creatures believable. I also was able to do a workshop with her where she showed how she designed a hippogriff. During her plenary talk, she shared a lot of backstories, including how she design Sebulba to be a an anti-Jar Jar based on the skeleton of a camel. The moose pictures are designs she created to imagine how a moose might move when it talked.

It was a great conference to hear from people at all stages of their career and working in very different ways.

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Coloring Drawings and More from the SCBWI Exhibit in Seattle

I’m experimenting more with different ways to color drawings. The IpadPro, Apple Pencil, and the $5.99 app  Procreate make the process more like traditional painting.

Screen Shot 2016-07-10 at 11.05.52 AMAt left is my original homework assignment Mastering the Pencil.

By printing, I can also use traditional media like watercolor and pastel and not have to worry about destroying the original.

I also wanted to post some of the beautiful work at the Society of Children’s Book Writers and Illustrators exhibit that’s open at the Washington State Convention Center until September.

The artists are, respectively, Kelly Patton, Jessixa Bagley, and Hannah Stephens.

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More Drawing

Screen Shot 2016-07-01 at 8.43.31 AMI dropped my Hornblower in the Crisis of at the Washington State Convention Center on Wednesday and got a sneak peek at other work that will be on display from the Society for Children’s Book Writers and Illustrators now until September 30th. It’s a fantastic show and I’m honored to have work in it. We’re going to go down tomorrow with our family and my grandparents and take it all it. There’s also a Meet the Illustrators and Family Draw Along September 17th which I know will be great.

crow-hatArt History III is over for me now and it’s nice to get more drawing together. The past week I’ve been trying out new methods of adding color to my pencil drawings. This crow (we like crows in house) was based on an old photo of Fred Astaire.

I’m trying watercolor, colored pencil, and pastel over printed versions from the Artisan 1430 printer.

My new course this quarter is Life Drawing IV. It feels good to be working in traditional media again. I’m also started working with charcoal powder for the first time. It’s  messy, but I really like what can be done with a light touch. I’m also seeing what a difference it makes using a fine grade of charcoal paper.

eide_SkullStudies3Here’s a skull that was this week’s homework. This holiday weekend I’m going to be traveling down to Monterey for the annual meeting of the Guild of Natural Science Illustrators. Looking forward to it! It’ll be my first art conference. Jack Laws is one of the keynotes. I admire both of their work.

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Childrens Illustrator Jerry Pinkney at Michelson Gallery in MA

lionMy parents were on the East Coast to give some talks at Landmark College in Vermont. They stopped in at the R. Michelson Gallery in Massachusetts, a gallery famous for its children’s book illustration.

Here are some great photos of watercolor work by Caldecott Award winner Jerry Pinkney. They knew of him because he had talked about his dyslexia, but we’re all familiar with his beautiful animal work. There’s a lot to be inspired about in his work  – dynamic composition, expressiveness, and brushwork. It’s especially helpful to see the works close up because I could see how he combined pencil and watercolor in a way that looked effortless.

I hope to post more of my own work soon. I’m doing more sketches of the Snow Queen with the iPad Pro and Apple pencil but nothing to show yet. I recently read a new translation of the Snow Queen by Hans Christian Anderson. It’s very different any of film adaptations. I’m setting my illustrations in Sweden because my father’s side is mostly  from Sweden and Norway.

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