Every week, the class assignment is to have each person suggest an illustration or group of illustrations based on the reading. For the chapter on tone, I chose this 1912 illustration by Sidney Sime (1867 – 1941) for Lord Dunsany’s The Book of Wonder. I chose it partly because it has some similarities, in terms of subject matter, value range, and atmosphere, to my own project for this week. I also chose it because it effectively uses various value and compositional elements, including a chiaroscuro technique, to guide the viewer’s eye throughout the piece. The first major area of light starts at the upper left corner, then trails around, almost like a curving road, to the first major subject, the city in the rocks. In turn, the curved shape of the light/shadow pattern and the diagonal lines of the rock lead into the menacing blackness filled with eyes under the bridge. The smoky shape at right helps to transition the viewer down to the next major subject, the man on the winged beast.
Imagine what the piece would look like without the large shadowy area at left. It would lose some of its atmosphere, with the impression of discovering something grand and menacing in a dark, obscure region. In addition, the black space filled with eyes under the bridge would be less clear as a main subject of the piece, since the chiaroscuro patterns of light and dark have the area immediately above as the brightest spot in the composition.