artists groups

Western Washington SCBWI Spring Conference – This Week!

I’m be  attending my first Society for Children’s Book Writers and Illustrators Conference this week in Redmond. I’m doing some tweaks to my portfolio (here’s my new improved Snow Queen) and printing up business cards and postcards.

I’m signed up for the Illustrator Intensive “Hard Things to Draw” with David Small (see some of his covers below) as well as participating in the Juried Portfolio show. I’m looking forward to seeing lots of portfolios and hearing from other illustrators and writers, art directors, and agents. I’ve heard these conferences are great for networking and getting started in children’s books.

 

 

 

 

 

 

 

 

Here’s my design for a business card: 

I’m also doing  film class this RMCAD quarter, so I’m putting together a short film discussion of the movie, Vertigo.

I had a great chance to interview author and film critic Jeffrey Overstreet and attorney and film lecturer Robert Cumbow, in addition to my family. I even attended a 6-hour Cinema Dissection of Vertigo at the Seattle International Film Festival Center which gave me an even deeper understanding of the film.

More Pastels – Carbothello Stabilo Pencils

floating-girl-ear-final It’s been another busy week, but learning a lot more what CarbOthello pencils can do. I really like the medium although I have a lot to learn about making color blends.  This past week had our usual gesture drawings, 2 hand drawings in pastel, and then a costumed figure drawing. Sanded paper like UArt or Wallis can receive more layers than Canson Mi-Teintes or other pastel papers, but they will eat up your pencils quicker.

I found I like the soft rich blacks of  Nitram charcoal. It also doesn’t have as much dust as General’s.

I’ll also post the three examples of pastel paintings that I posted in this week’s discussion. Pastel offers such a wide variety of expression. I really like the medium.

The first is a rendering of Ophelia from Cuong Nguyen who worked as a successful web designer for many years until he got working more as a streetpastel-1chalk artist, then became a full-time fine art painter. I learned from him that skin tones can be mixed with a green underpainting (verdaccio) and flesh tones.

pastel-2The second is an illustration from Paul Howard from a Jill Tomlinson book called The Owl who was afraid of the dark. I like the soft luminous quality Howard was able to get from his use of pastels.

pastel-3Finally, there’s The Guardian by Fiona Tang. It combines chalk pastel with charcoal and acrylic on a paper backing. The different textures of the various media used for this piece this piece contribute to the overall effect in different ways; the chalk pastel in particular is important to the trompe l’oeil effect, helping to differentiate the “three-dimensional” stag in the front from the more “two-dimensional” background charcoal elements, with the white tone of the pastel “light” against the natural brown color of the paper.

This coming week is my final one for Life Drawing IV. We’ve got a watercolor assignment, the first I’ve had since I’ve been in art school. Also this weekend, I’ll be going to the Great Critique-nic through the Western Washington Society of Children’s Books Writers and Illustrators. It’ll be the first one that I’ve ever gone to. People bring their illustrations or writing and split up into small groups where they critique and be critiqued.

 

Life Drawing – Ecorche

life-drawing-1

I’m nearing the end of Life Drawing III and it’s been a great quarter, but it’s still hard to find enough time to paint. We’re working on more complex figures and also doing some ecorche drawings (they show muscles without skin) in more dynamic poses.

life-drawing-2

 

Yesterday I also went to my first meeting of the Puget Sound Group of Northwest Artists. It’s one of the oldest art associations in the United States.  It’s an accomplished group and we learned a lot. The guest speaker is David Gray whose painting work I admire. He was very down to earth and very generous with sharing techniques and practical tips. I’ll embed a video of him painting a self-portrait. For now, I am focusing on watermedia, but I’d like explore oil. PSGart meets monthly in Kirkland.

Evergreen Fine Arts Association – Bev Jozwiak Watercolor Painter

This past week, I had a chance to visit the Evergreen or Eastside Fine Arts Association (EAFA). Bev Jozwiak was doing a watercolor demo. She works a lot wetter and mixes colors a great deal so I got more ideas to experiment with.

EAFA seems to be a really good organization for fine artists in the greater Seattle area. For emerging fine artists, too they have lots of opportunities to exhibit such as Overlake Hospital or a gallery at the Seattle Design Center.

I’m going to post another update with my papers from last quarter and then a little from what I’m doing now. Perspective class is the intense one for me now but it’ll help me with environments.