Here’s some illustrations I was asked to make by my local Audubon society, Pilchuck Audubon. Jim Beneteau and other volunteers give lectures to school children about different beak adaptations and how they’re suited to what they eat. They didn’t have good visual illustrations, so I made these prints for them for their traveling kit.
Jim, Valerie, and Laurel asked for common birds that children might recognize in their backyards. The nice thing about having more picture of birds and what they eat is that students can think more about they are actually seeing. There’s the barn swallow that needs dart around quickly to grab insects, hummingbird that sips nectar deep in flowers, robin that digs around in dirt for worms, and pelican who eats fish.
If anyone is interested in purchasing cards for their classroom, they can contact me HERE.
My next painting is for Seattle Audubon. I’ll be painting a marbled murrelet which is an endangered species in Washington, Oregon, and California. It’s a sea bird that nests miles inland in old growth forests, so its vulnerable in both ocean and forest habitats. Its a neat bird that has webbed feet, but also is found in the tops of trees.
I’m halfway through Still Life Painting and I’m learning Acrylic Painting now. We’re painting several different ways – the first involved an underpainting. There was definitely a learning curve. I used Asmpersand Aquabord because I liked the smooth look over canvas. It also has the advantage of slowing drying for people who like to rework.
I used Golden heavy body acrylics, but then layered fluid acrylics on top. It was a bit slow to have to work with it in two steps, but I liked the control when the second layer was added. The next one I did have to have some basic geometric shapes and drapery. I’m also working on the third which has to involve toys and texture.
This week I also put up prints in the Small Works Art Show to benefit theGage Academy. Check it out today through December 9th! It’s a great way to purchase some inexpensive original art and also help the Academy.
I had a great time in a 1-day pastel workshop at the Cole Art Studio. I used Nupastels on LaCarte paper for this painting of a dik dik, a small antelope that lives in Africa. I worked on this in the afternoon.
In the morning, I painted an African hornbill.
Pastels seem almost effortless. I’m looking forward to doing more.
Meet Moorehead (left) and Doubleday (right). They’re a work in progress. I haven’t completely decided their back story yet. The sketch was colored in with CarbOthello pastel pencils (I like them) on Canson Mi Teintes paper. I just got a pack of La Carte and also Sennelier soft pastels and will be experimenting with those too.
I’m going to take a one day pastels workshop with Janis Graves this weekend through Cole Gallery and looking forward to it. I’ll paste a sample of her art below.
The Guild of Natural Science Illustrators also posted the group mural that I worked on at the Santa Cruz Conference.
There were 3. Here’s the one I drew a little egret (corner right) catching a fish. It’s on exhibit at the Sanctuary Exploration Center that’s part of the Monterey Bay National Marine Sanctuary. It was a great conference.
I dropped my Hornblower in the Crisis of at the Washington State Convention Center on Wednesday and got a sneak peek at other work that will be on display from the Society for Children’s Book Writers and Illustrators now until September 30th. It’s a fantastic show and I’m honored to have work in it. We’re going to go down tomorrow with our family and my grandparents and take it all it. There’s also a Meet the Illustrators and Family Draw Along September 17th which I know will be great.
Art History III is over for me now and it’s nice to get more drawing together. The past week I’ve been trying out new methods of adding color to my pencil drawings. This crow (we like crows in house) was based on an old photo of Fred Astaire.
I’m trying watercolor, colored pencil, and pastel over printed versions from the Artisan 1430 printer.
My new course this quarter is Life Drawing IV. It feels good to be working in traditional media again. I’m also started working with charcoal powder for the first time. It’s messy, but I really like what can be done with a light touch. I’m also seeing what a difference it makes using a fine grade of charcoal paper.
Here’s a skull that was this week’s homework. This holiday weekend I’m going to be traveling down to Monterey for the annual meeting of the Guild of Natural Science Illustrators. Looking forward to it! It’ll be my first art conference. Jack Laws is one of the keynotes. I admire both of their work.
I just heard today that Hornblower During the Crisis has been accepted in the SCBWI Western Washington Illustrators Exhibit at the Washington State Convention Center! This will be my first juried group exhibition. It runs from July 1- September 30th. I also just dropped off some art for the Best of the Gage Exhibition. The exhibition and sale there is June 17th, and of course the Clymer Museum exhibition goes through June 25th.
In addition to school, I’ve been experimenting with different ways of adding color. This past week I did some colored pencil work with the black and white owl and frog drawing. I like really like Faber-Castell Polychromos. They are oil-based, so blend with baby oil and can work side-by-side with watercolor paints or pencils.
I’ve also been doing some sketching and thinking about doing some illustrations for Hans Christian Anderson’s Snow Queen. There are two good crow characters that are part of the story so I thought it would be nice to do. We get a lot of crow visitors in the backyard.
I also saw an inspiring video today. Sargy Mann is a painter who became blind when he was his 30’s. See his story below.
Just finished this – it’s my last week in Basic Illustration. It’s been a great class. It’s been a learning curve going to ink from pencil. The assignment was to choose a fortune cookie fortune and make a drawing from it. My fortune was “You are wise to keep your eyes open at all times.”
We weren’t allowed to use ink washes so it was a change for me as I had to focus on line art.
The ink drawing was first done in pencil then inked using micron pens, a Lamy fountain pen, and a little Copic marker for blocking in the grass. I also use Duralar mylar which helped a lot with my learning curve for ink. Duralar is very forgiving with ink – because it erases cleanly with alcohol or the colorless Copic marker blender.
It’ll be my first show. I’ll also have an elk cow and crow in the exhibition. We’ll be driving out on the first Friday, May 6th, 5-7 pm. Food & Wine will be by Springboard Winery and music will be provided by the Lincoln Elementary School Music Club.
As much as I liked traditional atelier instruction like at the Gage Academy, I’ve really wanted to get more experience drawing imaginatively and using drawing to tell stories. One great exercise we had to do in my Mastering the Pencil class at RMCAD last quarter was drawing multiple thumbnails to tell a story.
The prompt was an old suitcase. We had to make a story out of it. Here are some thumbnails sketching out potential characters, locations, and sequences. From the brainstorm, I created an Agatha Christie Miss Marple-like character, Emmeline Duck who solves mysteries like the suitcase at the bottom of Bolger Pond.
Last week when I was writing a paper on the great illustrator Howard Pyle, I was struck by this quote from him: “If the first sketch looks like the one I want to do, to make sure—I always make the other forty-nine anyway.”