I just found out today that I won a Charlene Cosgrove Memorial Scholarship at my university, Rocky Mountain College of Art + Design! It was very unexpected. It’s $825 that I can put toward tuition.
I submitted this painting a marbled murrelet (it’s actually still a WIP – some things I need to clean up) done in gouche and transparent watercolor and the crow that I recently posted here on the blog and Gerda from the Snow Queen (below).
There was also a writing prompt with the scholarship and I had a chance to write on a Japanese artist Tabaimo who recently had an exhibition at the Asian Art Museum here in Seattle.
The question we were to write about was whether we thought the context of the artist was important for a full appreciation and understanding of art. For me, the context of the art is very important.
I’ll post my paper below for anyone who might be interested. Also here’s a short video interview with Tabaimo talking about the exhibition.
I had a great time at our Society for Children’s Book Writers and Illustrators Spring Conference. It was neat to be with such an enthusiastic group that were all interested in children’s books. I liked all of the speakers, but especially David Small and Kazu Kibuishi who shared a lot of their personal stories about how they came to be motivated to do the work they do. David Small is Caldecott winner and Kazu is a writer and illustrator of graphic novels like the Amulet and Explorer.
This was the first time I put together a portfolio. I searched on the web for examples of how to set one up. I use an inexpensive photo album on Amazon that had a window in the cover.
I liked being able to present my work in the portfolio evening, but I also liked seeing everyone else’s work. I’m thinking about doing more drawing with ferrets especially since my visit to the ferret rescue in Kirkland. Their fur is very soft. There were a lot of illustrators I also had a chance to discover. I especially liked Heidi Aubrey‘s mice.
After a week off, I’ll be starting animal anatomy and drawing (yay). I’m also a few weeks into volunteer orientation to work in wild bird rehabilitation – skills training starts in May.
I’m signed up for the Illustrator Intensive “Hard Things to Draw” with David Small (see some of his covers below) as well as participating in the Juried Portfolio show. I’m looking forward to seeing lots of portfolios and hearing from other illustrators and writers, art directors, and agents. I’ve heard these conferences are great for networking and getting started in children’s books.
Here’s my design for a business card:
I’m also doing film class this RMCAD quarter, so I’m putting together a short film discussion of the movie, Vertigo.
I had a great chance to interview author and film critic Jeffrey Overstreet and attorney and film lecturer Robert Cumbow, in addition to my family. I even attended a 6-hour Cinema Dissection of Vertigo at the Seattle International Film Festival Center which gave me an even deeper understanding of the film.
Here’s my final project for Still Life Painting. It was a great fun. The assignment was to create a composition that included ceramic, glass, and metal. I included Otis, who is a bird that I grew up with on our front table. He was molded by talented ceramicist Stephani Stephenson of Revival Arts Studio (her Facebook page is here). It was nice to be in touch with her after all these years.
From Otis, I learned a lot more about handling acrylic. For this piece, I used Ampersand Aquabord, Golden Acrylic, and Holbein Fluid Acrylic.
I’m also excited to share that I sold my first work through my website (thanks Garret!) and two additional works through the Gage Small Works show.
Here’s my finished (I think) ink wash illustration from my concept class. Now I’ve begun Still Life, so it’s back to paintbrushes.
I did want to share some photos from our Western Washington SCBWI Keep It Simple Show. I’m lucky that it’s such a great group. Everyone was very generous and it was incredibly helpful seeing other people’s work, their tear sheets, and business cards. I’ve put in links to their websites on their works below. Check them out to be inspired. The artists are David Joaquin and Liz Wong in the top row; Maja Sereda and Tracy Wallschaleger of Red Dog Images.
The keynote speaker for the night was Jennifer Soloway of the Andrea Brown Literary Agency. She gave a fantastic talk on how to stand out from the slush pile, great first lines, and some of the ins and outs of being an artists’ representative.
After sketching thumbnails for my Gerda vs. the Snow Queen’s Snow Bees painting, I created 3 quick 3-value thumbnails to decide on the final composition. I found it really helps separating out the composition and value decisions before committing to a final work. Because I wanted to base the painting on the original Hans Christian Andersen story, I also want to work in the detail that he had about the palace being lit by Northern Lights.
Although I liked the extremes of values in the value study, I settled on the 3rd study because I liked the idea that the shadows on the hill would be pointing to Gerda, my focal point. I added some hills in the background to create greater depth and also added more complex branchwork in the final.
I started out with pencil and watercolor on Arches watercolor paper, but finished the piece digitally using Procreate and an Ipad Pro because I could play around with different color combinations before deciding on a final. I really like Procreate and the Apple Pencil because the process of illustrating with them is so close to real pencil, paper, and paint – but with much more flexibility with materials and undo’s. I had an earlier version, but Phil my teacher and classmate China suggested good feedback about brightening up the colors among other things. Our next assignment should be fun – drawing caricatures. I’ve picked my subject already…Edgar Allan Poe.
This past week my class has been looking at the drawing of expressive hands. We’re still working for the most part in charcoal which is getting easier to handle for me. I like Strathmore Toned Paper and I’m finding it easier to get darker tones with a softer Nitram charcoal. I had started with Strathmore 500 charcoal, but it doesn’t have the smooth look of toned paper.
Besides drawing practice (whole body gestures) and these hand drawings, we also have a discussion post where we post examples of expressive hands. Everyone always shares very different examples – it’s a great part of the class.
The three I shaerd this past week were from Rackham, Wyeth, and Earl Oliver Hurst. In the Rackham, I thought it was an interesting contrast between the knobby hands of the old woman and the simple open hands of the children. The Wyeth also showcases contrasts in this Heidi picture. The grandfather is tanned and has a commanding gesture. It’s contrasted with Heidi’s fairer and more tentative post. The Hurst I liked because he seemed to contrast the confident face of the man with the nervous lines in his jacket and hands.
I had a great time in a 1-day pastel workshop at the Cole Art Studio. I used Nupastels on LaCarte paper for this painting of a dik dik, a small antelope that lives in Africa. I worked on this in the afternoon.
In the morning, I painted an African hornbill.
Pastels seem almost effortless. I’m looking forward to doing more.