Interesting work in Life Drawing class the past week. We’re learning how to simplify figures by blocking in simple geometric shapes. It helps generalize what you’re seeing and I think will make it easier working from life.
At the Terryl Whitlach conference, she had recommended Future Publications’ How to Paint and Draw Anatomy which showed how to break the human figure into simpler shapes. I found the book (actually both volumes) online at Scribd.
Today, my teacher also shared a video that will make really help what I want to be able to do. The figures are very fluid, but also have volume.
I just learned that I won one of the First Prizes in the Best of the Gage Academy Awards for 2015! Wow! I’m kind of blown away. If you’d like to see my work and the other winners of the Best of the Gage this year, it’ll be on display in the Steele Gallery at the Gage (1501 10th Ave E #101, Seattle, WA 98102) until August 17th.
If you don’t know about the Gage, it’s a famous fine art school in Seattle founded by Gary Faigin and associated with such luminaries as Juliette Aristides.
My prize-winning drawing was done in my first-ever figure drawing class with Aron Hart (Figure Foundation I). I’ll admit I was initially overwhelmed by figure drawing, but I found that blocking in shapes, making master copies, and then learning the anatomy helped a lot. It was in Aron’s class that I also first started using graphite sticks and compressed charcoal and I took to that medium very well.
I know I haven’t had time to post blog updates in a while, but I’ll get back to them. Lots of great things – finished out another quarter of Art History and Composition (wrote on The Ambassadors by Holbein) and now halfway through Color and Figure Drawing II. This is a great quarter as I’m doing all art. I’ve also be traveling a lot but have some great photos from my time at the Los Angeles County Museum of Art and Isabella Gardner Museum in Boston.
I just finished a figure foundations course at Gage Academy in Seattle with Aron Hart. This is probably my best of the class – it combined graphite with white charcoal. My ability to render really improved over the course of the term. Over the summer I also took a self-paced course with Scott Eaton and that also helped me learn anatomical landmarks.