Composition with Nathan Fowkes on Schoolism

schoolismJust a quick post for those of you who might be interested in great composition / concept art courses. Schoolism only offers a lower priced yearly subscription every September – it caps after the 1st 2000 signups. There are 18 courses that you can take all together.

I’m starting with Nathan Fowke’s Pictoral Composition course (LACAD, LA Figurative Arts Academy) it’s really helpful – for both traditional as well as digital artists. It’s a 9 week course, but self-paced – each week has about eight 10-minute videos. There is weekly homework and videos of other student’s work. The cheapest option is $144 which doesn’t come with video feedback and redraws from Nathan – but it can help people like me who are attending school full time or working full time. Even if you’re on the cheaper plan, you can look at his critiques and redraws of other students who are taking the premium course – at $1000-1500 per course, so there’s plenty to learn from just watching. Whenever you’re finished, you can switch to another class.

composition-piet-mondrianI’ll show one of my exercises in a following post, but here’s an example from Piet Mondrian that I liked. I had seen Mondrian’s geometric work, but I had never seen his early work and how his art evolved. The point Nathan was making with the Mondrian example was that he was exploring the internal structure underneath what was being seen – so he was continually abstracting and simplifying – but also keeping connections and relationships, balance, harmony etc. I appreciate all the thought and time that has gone into Nathan’s course.

School at RMCAD starts back officially tomorrow. My classes this term are Mastering the Pencil and 3D Design.

Painting Portraits – the Grisaille Approach

I finished my watercolor portrait workshop with Hamid at Gage Academy this past week, but I still wanted to learn more, so I checked out Scott Waddell‘s  Art of the Painting video. It’s great!  His demo is for oil, but most of his principles work for all classical painting. He starts off ‘posterizing’ the major lights and darks, establishes the values, then shifts into conceptualizing mode, carving the face in 3D in color. I found the method straightforward and much simpler than just trying take in all the information at once. Scott supplements his painting with video illustrations of the behavior of light on 3D surfaces.

Here are 2 portraits that are more exercises  / WIP rather than finished works. The girl is from this 1966/1967 film adaptation of Hans Christian Andersen’s The Snow Queen.  I still have more I would like to do on that piece, but the RMCAD school year starts up in a week, and I’m going to see if I can learn more about composition before then.

krister-portrait-man krister-portrait-snow-queen